Bach: St. Matthew Passion, Choruses and Arias » de Dame Janet Baker sur Napster "Weissage uns, Christe") and sometimes sing together ("Herr, wir haben gedacht"). Découvrez J.S. The arias are taken from Bach's major works: Buss' und reu from and Erbarme dich from the St Matthew Passion, Wo zwei und drei and Zum reinen wasser which appear in the Eastertide cantatas, and the Agnus Dei from the B Minor Mass. JS Bach: Choruses and arias from St Matthew Passion. Both use lettered subsections in some cases. Other libretto sections came from publications by Salomo Franck and Barthold Heinrich Brockes.[14]. It is there (No. After the meal they go together to the Mount of Olives (No. Large choruses, in addition to the instrumentists indicated for Choir I and II, would have been impossible, so also here there is an indication that each part (including those of strings and singers) would have a limited number of performers, where, for the choruses, the numbers indicated by Bach in his 1730 request would appear to be (more than?) In the revision of 1743–1746, it is also these words (the Vox Christi) that receive a sustained continuo part. Some of the arias in the St. Matthew Passion are performed by the singers and instrumentalists of Chorus 1, as you would expect from their concertist status, but other arias come from Chorus 2. Johann Sebastian Bach 's St Matthew Passion ( Matthäuspassion ), BWV 244, is structured … The first scenes are in Jerusalem: Jesus announces his death (No. He had revised it by 1736, performing it again on 30 March … The Bach-Werke-Verzeichnis (BWV, Bach Works Catalog) divides the work into 78 numbers (vocal movements), while the Neue Bach-Ausgabe (NBA, New Bach Edition) divides the piece into 68 movements. Sometimes the rhythms are smooth and flowing, in imitation of the many fluids that course through the text: precious ointment, water, tears, blood, wine. The duet ‘So ist mein Jesus … 18) Jesus asks his followers several times to support him but they fall asleep while he is praying in agony. Preview, buy and download high-quality music downloads of Bach: St. Matthew Passion - Arias & Choruses by Berliner Philharmoniker from 7digital United Kingdom - We have over 30 million high quality tracks in our store. The chorus alternates between participating in the narrative and commenting on it. William Sterndale Bennett became a founder of the Bach Society of London in 1849 with the intention of introducing Bach's works to the English public. [11][12] This article is written using the NBA numbering system. Also on CyberBass ... Bach - B Minor Mass . Bach: St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner", a song by Claudia Schubert on TIDAL New scenes begin with Gospel text sung by the Evangelist, except the first scene of each of the two parts of the composition. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to "The Passion of our Lord J[esus] C[hrist] according to the Evangelist Matthew".[1]. Part One is opened by the chorus "Kommt, ihr Töchter, helft mir klagen" (Come ye daughters, join my lament), on a text by Picander. St. Matthew Passion ; The Passion According to St Matthew ; Passionsmusik nach dem Evangelisten Matthäus Composer Bach, Johann Sebastian: Opus/Catalogue Number Op./Cat. Diminished seventh chords and sudden modulations accompany Jesus's apocalyptic prophecies. Listen to Bach: St. Matthew Passion - Arias & Choruses by Herbert von Karajan, Gundula Janowitz, Christa Ludwig, Horst R. Laubenthal, Walter Berry, Berliner Philharmoniker, Wiener Singverein, Chor der Deutschen Oper Berlin, Staats- und Domchor Berlin, Johann Sebastian Bach. 47 Aria. Johann Sebastian Bach (1685~1750)- Matthäus-Passion, BWV 244 -(für solisten, doppel chor und doppel orchester)Teil 2 / 39. Bach took the Gospel text for the composition from Martin Luther's German translation of Matthew 26 and 27. ("Rest gently, gently rest! The work is composed for double choir, double orchestra, and vocal soloists. In this version the Passion was written for two choruses and orchestras. It is widely regarded as one of the greatest masterpieces of classical sacred music. The dialogue with these questions is repeated, and then, from measure 30, Chorus I sings the text of the incipit again while in ripieno sopranos sing the first two lines of Nikolaus Decius' chorale "O Lamm Gottes, unschuldig" (O Lamb of God, innocent) as the cantus firmus. A number of passages for several speakers, called turba (crowd) parts, are sung by one of the two choirs or both. The oldest chorale chosen for the Passion dates from 1525. But the crowd, given the choice to have Jesus released or Barabbas, a thief, insurrectionist and murderer, asks with one voice "Barrabam!". Alto 2 Tenor 1. Bach: St. Matthew Passion, BWV 244 / Part Two - 'Erbarme dich' song on Gaana.com and listen Bach, J.S. (Lord, is it I?) View credits, reviews, tracks and shop for the 1962 Vinyl release of Arias From St. Matthew Passion on Discogs. Pilate interrogates Jesus (No. "Soldiers crown Jesus with thorns, mocking him", 14. This was sung only in 1742 and 1743–1746 and had been played on the organ before. St Matthew Passion, BWV 244 (highlights) (1989 Remastered Version): Aria (alto): Erbarme Dich, Mein Gott song by Theo Altmeyer, Franz Crass, Teresa Zylis-Gara, Julia Hamari, Nicolai Gedda, Wolfgang Gönnenwein, Consortium Musicum, Süddeutscher Madrigalchor, Hermann Prey now on JioSaavn. – See the endurance) and ultimately Seht — Wohin? Particular highlights of the St. Matthew Passion include two incredible alto arias: ‘Erbarme dich’, an exquisitely touching piece with a solo violin part which provides a moment of reflection after Peter's third betrayal of Jesus; and ‘Können Tränen meiner Wangen’, whose impassioned broken chords reference the shape of the cross, with which Jesus is then beginning his journey. Join Napster and play your favorite music offline. "The hearing before high priest Caiaphas", 9. English music album J.S. Bach was Thomaskantor (i.e., Cantor, and responsible for the music in the church) since 1723. Écoutez Bach: St. Matthew Passion - Arias & Choruses par Herbert von Karajan, Gundula Janowitz, Christa Ludwig, Horst R. Laubenthal, Walter Berry, Berliner Philharmoniker, Wiener Singverein, Chor der Deutschen Oper Berlin, Staats- und Domchor Berlin, Johann Sebastian Bach. Sometimes the rhythms are smooth and flowing, in imitation of the many fluids that course through the text: precious ointment, water, tears, blood, wine. Beethoven - 9th Symphony: Berlioz - Requiem . 10, "Ich bin's, ich sollte büßen" ("It is I who should suffer"), after eleven disciples asked "Herr, bin ich's?" Contemporary poetry in Picander's libretto and chorales comment on the Bible text and open and close most scenes of the narration.[1][2][3]. The St Matthew Passion can be divided in scenes or "stations" that follow the dramatic action of the Gospel account in different locations. 17 appears to be missing, and movement No. Écoutez des chansons intégrales de St Matthew Passion, BWV 244: Aria (alto): Buss und Reu de Various Artists sur votre téléphone, ordinateur et système audio personnel avec Napster. Soloists sing the words of various characters, also in recitative; in addition to Jesus, there are named parts for Judas, Peter, two high priests (Pontifex I & II), Pontius Pilate, Pilate's wife (Uxor Pilati), two witnesses (Testis I & II) and two ancillae (maids). Preview, buy and download high-quality music downloads of Bach: St. Matthew Passion - Arias & Choruses by Berliner Philharmoniker from 7digital Sverige - … Outside in the courtyard (No. 19), two oboes, in certain movements instead oboe d'amore or oboe da caccia, two violins, viola, viola da gamba, and basso continuo. FLAC (CD quality, 44.1 kHz, 16 bit) $10.75. They are sung by soloists with a variety of instrumental accompaniments, typical of the oratorio style. ), are sung without this "halo". Bach. There was no room for a stage, and no time for scene changes.) These sections are based nearly exclusively on texts by. Bach: St. Matthew Passion, Choruses and Arias de Edith Mathis - Année de production 1980 Three of the texts Bach used for chorale settings are written by Paul Gerhardt. [2] That was the option chosen by Bach for his 1724 St John Passion. English music album J.S. (‘Passion’ is derived from the Latin verb ‘patior’ meaning ‘to suffer’ or ‘endure’, from which we also get ‘patience’ and ‘patient’.) Pruébalo gratis. [4][5] Movement numbers in this article follow the NBA scheme, except for the table with the movements that cross-references both numbering systems. The other is the extensive use of chorales, which appear in standard four-part settings, as interpolations in arias, and as a cantus firmus in large polyphonic movements. – meaning: Am I the one going to betray? Two arias (‘Buss und Reu’ and ‘Erbarme dich’) are drawn from the St Matthew Passion, two (‘Wo zwei und drei versammlet sind’ and ‘Zum reinen Wasser’) from Eastertide cantatas, and the Agnus Dei is from his most spectacular choral work: the B minor Mass. ), he is supposed to have called Elijah. Part Two is opened by a dialog between the alto soloist deploring her lost Jesus and choir II offering help in searching for him, quoting Song of Songs 6:1 (Wo ist denn dein Freund hingegangen). In the 1727/1729 version, the soloist is a bass. 3–479, Autograph score in the Berlin State Library (Staatsbibliothek zu Berlin), International Music Score Library Project, Translation to many languages, commentary, musical examples, list of recordings, The Passion according to Saint Matthew BWV 244, Masses, magnificat, passions and oratorios, List of compositions by Johann Sebastian Bach, https://en.wikipedia.org/w/index.php?title=St_Matthew_Passion&oldid=998536685, Passions and oratorios by Johann Sebastian Bach, Articles needing additional references from April 2017, All articles needing additional references, Articles with unsourced statements from July 2015, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License. Bach used the hymns in different ways, most are four-part setting, two are the cantus firmus of the two chorale fantasias framing Part I, one as a commenting element in a tenor recitative. The words of Jesus, also termed Vox Christi (voice of Christ), usually receive special treatment. Kommt, ihr Töchter, helft mir klagen – O Lamm Gottes unschuldig (Chorus I & II – Cantus firmus by ripieno soprano choir), 29. Preview, buy and download high-quality music downloads of Bach: St. Matthew Passion - Arias & Choruses by Berliner Philharmoniker from 7digital Suomi - … Luke". 14) where Jesus predicts that Peter will deny him three times before the cock crows. ... Alto 2: Tenor 1 Tenor 2: Bass 1 Bass 2 . Catalogue No: E4334742; Label: Decca; Length: 48 minutes; Penguin Guide. The chorus sings, in the final chorale No. Many of them include the listener into the action, such as the chorale No. One is the double-choir format, which stems from his own double-choir motets and those of many other composers with which he routinely started Sunday services. [9], Bach revised the Passion by 1736, for a performance on Good Friday 30 March 1736. Bach: St. Matthew Passion, BWV 244 - Part Two - No.30 Aria (Alto, Chorus II): "Ach nun ist mein Jesu hin", a song by Ilona Durigo on TIDAL St. Matthew Passion: The Sale of MP3 Audio Files. The word Herr appears 11 times, once for each disciple except Judas Iscariot. No. [20], In the 1727/1729 version without music and text "Es dient zu meinem Freude", Recitative (with Chorus II: Was ist die Ursach aller solcher Plagen?) The sopranos sing the cantus firmus, the other voices interpret aspects of the narration. The next scene (No. Casino (1995 Film) "Matthaus Passion" chapters 26 and 27. Particular highlights of the St. Matthew Passion include two incredible alto arias: ‘Erbarme dich’, an exquisitely touching piece with a solo violin part which provides a moment of reflection after Peter's third betrayal of Jesus; and ‘Können Tränen meiner Wangen’, whose impassioned broken chords reference the shape of the cross, with which Jesus is then beginning his journey. 49, "Aus Liebe will mein Heiland sterben", where the absence of strings and basso continuo mark a desperate loss of security. Matthew 26:1–2 places the first scene two days before the Passover feast. Typically, these are done with all performers in street clothes or neutral costumes, the orchestras on stage, at least the soloists singing without scores from memory, and the words acted out in a solemn, melodramatic fashion with only a minimal stage set. "Descent from the Cross; Christ's burial", 16. In Leipzig it was not allowed to paraphrase the words of the Gospel in a Passion presentation on Good Friday. 6, "Buß und Reu", portrays a desire to anoint Jesus with her tears out of remorse. The work is closed by a grand scale chorus in da capo form, choir I and II mostly in unison for the first part Wir setzen uns mit Tränen nieder (We sit down in tears), but in dialog in the middle section, choir II repeating "Ruhe sanfte, sanfte ruh!" 1727 sacred oratorio by Johann Sebastian Bach, Versions and contemporaneous performances, First version (BWV 244.1, previously 244b), Funeral cantata for Köthen (BWV 1143, previously 244a), Passion performances in the St. Thomas Church, Later revisions and performances (BWV 244.2, previously 244), Herzliebster Jesu, was hast du verbrochen, Without text (played by organ only) in older versions of the Passion, Klagt, Kinder, klagt es aller Welt, BWV 244a, St Matthew Passion structure § Numbering of the movements, List of chorale harmonisations by Johann Sebastian Bach § BWV 244–244b, Learn how and when to remove this template message. Bach: Matthäus-Passion - Arien & Chöre. The St Matthew Passion has been presented in staged performances. Discover releases, reviews, track listings, recommendations, and more about J.S. The bass, referring to the "sweet cross" expresses in No. These are the last words (before the recapitulation), marked by Bach himself: p pp ppp (soft, very soft, extremely soft). "[26], In 1827, Felix and a few friends began weekly sessions to rehearse the Passion. Disponible con una suscripción a Apple Music. $25 includes Shipping (US Orders 4-7 Days, International 7-21 Days) Soprano 1. St. Matthew describes the tearing of the Temple curtain and an earthquake – set to music by Bach. 7) has Judas Iscariot negotiating the price for handing Jesus over. This is notable in "O Mensch, bewein dein Sünde groß", the conclusion of the first half – a movement which Bach also used as an opening chorus for the second version (1725) of his St John Passion (later – ca. The bass aria No. In the drama, this aria reflects Peter’s solitary heartache in the garden after he denies knowing Jesus three times. DG: 4696012. Preview, buy and download high-quality music downloads of Bach: St. Matthew Passion - Arias & Choruses by Berliner Philharmoniker from 7digital Canada - We have over 30 … ", "St Matthew Passion – German to English translation in interlinear format", "Fünftes Buch: Leipziger Jahre von 1723–1734" pp. Contents. 63c) Joseph of Arimathea asks Pilate for the corpse for burial. In this version both choirs have SATB soloists and chorus, and a string section and continuo consisting of at least violins I and II, viola, gamba and organ. Label: Angel Records - S 36163,Angel Records - 36163,Angel Records - S. 36163 • Format: Vinyl LP, Stereo • Country: UK • Genre: Classical • 65, "Mache dich, mein Herze, rein", offers to bury Jesus himself. [5], Klagt, Kinder, klagt es aller Welt, BWV 244a, a cantata of which only the text is extant, was performed 24 March 1729 in Köthen at a memorial service held some months after the death of Leopold, Prince of Anhalt-Köthen. 2.4.9.4 For Alto and Flute (Alici) 2.4.9.5 For Alto and Organ (Brunet) 2.4.9.6 For Harmonica and Guitar (Marcoux) 2.4.9.7 For Organ (Righetti) 2.4.9.8 For Piano (Jadassohn) 2.4.9.9 For Piano (Köhler) 2.4.10 Befiehl du deine Wege (Part II, No.53) 2.4.10.1 For 5 Flutes (Kamioka) 2.4.11 Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58) These performances would … [31] It took place on 11 March 1829 and was sold out quickly. Bach, J S: Mass in B minor, BWV 232 - Gloria. Bach included five stanzas of his "O Haupt voll Blut und Wunden" in the Passion, and he uses the first two stanzas of the poem to conclude the Flagellation scene. Bach often uses madrigalisms, as in "Buß und Reu", where the flutes start playing a raindrop-like staccato as the alto sings of drops of his tears falling. BWV 244b ; BC D 3a I-Catalogue Number I-Cat. (Whom? VIOLINISTS! In 1725 Christian Friedrich Henrici, a Leipzig poet who used Picander as his pen name, had published Erbauliche Gedanken auf den Grünen Donnerstag und Charfreytag ("Edifying Thoughts on Maundy Thursday and Good Friday"), containing free verse suitable for a Passion presentation in addition to the Gospel text. St. Matthew Passion is an oratorio, which is a musical drama. In the 1727/1729 version, this part is concluded by a four-part setting of verse 6 of the Chorale "Meinen Jesum laß ich nicht (Jesum laß ich nicht von mir)". In the turba parts, the two choruses sometimes alternate in cori spezzati style (e.g. St. Matthew Passion: The Sale of MP3 Audio Files. ), followed by the question Wie? — to our guilt), after which Chorus I and II sing the last lines of Picander's text in separate blocks. The St Matthew Passion is the second of two Passion settings by Bach that have survived in their entirety, the first being the St John Passion, first performed in 1724. There are fifteen arias in the St. Matthew Passion, all of which, with the sole exception of Aria 58, either are dances or else are animated by rhythms that suggest a body in motion. [2] A setting of the then-popular Brockes Passion libretto, largely consisting of such paraphrasing, could not be done without replacing the paraphrases by actual Gospel text. Arias from St Matthew's Passion ... Baker and Ameling singing gloriously the alto and soprano arias from a wonderful BBC archive recording of Bach's St. Matthew's Passion. — Where? Soprano 2: Alto 1. Woodwinds are recorders, flauto traverso (transverse flute) (Ft), oboe (Ob), oboe d'amore (Oa), and oboe da caccia (Oc). [25], When Felix Mendelssohn was preparing his revival performance of the Passion in 1829 in Berlin (the first performance outside Leipzig), he cut out "ten arias (about a third of them), seven choruses (about half), [but] only a few of the chorales," which "emphasized the drama of the Passion story ... at the expense of the reflective and Italianate solo singing. Check out Bach: Famous Chorals & Arias From St. Matthew Passion, BWV 244 by Ludmila Hadjieva, Buriana Tabakova, Nikolai Warionov, Plamen Peikov, Orchestra of Radio Sofia, Choir of Radio Sofia, Ivan Marinov on Amazon Music. [10], Some parts were adjusted for a new performance on Good Friday 23 March 1742. This week we\'ll explore music inspired by Good Friday and Easter, both sacred and secular. He dies. ), Chorus I replying with den Bräutigam (the bridegroom – implying Christ). Three chorales are written by Paul Gerhardt and Bach included five stanzas from his O Haupt voll Blut und Wunden. While soprano and alto mourn (in duet, No. Many of the Alto arias selected here are amongst the most frequently performed extracts from the great Oratorios. In a third, on 18 April, Zelter conducted, and soon there were performances in Frankfurt (where a previously projected performance of the Passion had been upstaged by those in Berlin) and in Breslau and Stettin.[32]. In 1730, Bach informed the Leipzig Town Council as to what he saw as the number of singers that should be available for the churches under his responsibility, including those for the St. Thomas Church: a choir of twelve singers, plus eight singers that would serve both St. Thomas and the Peterskirche. This week we’ll explore music inspired by Good Friday and Easter, both sacred and secular. Stream now on IDAGIO Many of the Alto arias selected here are amongst the most frequently performed extracts from the great Oratorios. 30). Staged productions of the Passion include Lindy Hume's 2005 production for the Perth International Arts Festival, restaged in 2013 for Opera Queensland with Leif Aruhn-Solén [sv], Sara Macliver, Tobias Cole; and Peter Sellars' 2010 production with the Berlin Philharmonic under Simon Rattle with Mark Padmore, Camilla Tilling, Magdalena Kožená, Topi Lehtipuu, Christian Gerhaher and Thomas Quasthoff. 4c) shows a woman anointing his head with valuable oils. It’s also a bigger, darker, grander piece, and it’s these “large” elements that Suzuki doesn’t quite realize as successfully as, say, Herreweghe in his outstanding recent recording. Where he cites Psalm 22, "Eli, Eli, lama asabthani?" The speech of other persons, called soliloquents, is also set as secco recitative. 6 Buß und Reu, an aria for alto, concludes the scene at Bethany. In a dramatic highpoint of the Passion,[17][18] the chorus (No. St Matthew Passion, BWV 244 (highlights) (1994 Remastered Version): Aria (alto): Buss Und Reu song by Theo Altmeyer, Franz Crass, Teresa Zylis-Gara, Julia Hamari, Nicolai Gedda, Wolfgang Gönnenwein, Consortium Musicum, Süddeutscher Madrigalchor, Hermann Prey now on JioSaavn. Their first performance was effectively publicized in six consecutive issues of the Berliner Allgemeine Musikalische Zeitung, founded and edited by Adolf Bernhard Marx. Rebuild our MP3 Catalog in the Coming Months. This recording of Mengelberg’s 40th annual St. Matthew Passion Easter concert, performed on Palm Sunday, 1939, has held legendary status among the conductor’s fans. The first scene of Part Two is an interrogation at the High Priest Caiaphas (No. 1. 4). The two main schemes in use today are the scheme from the Neue Bach-Ausgabe (NBA, New Bach Edition) which uses a 1 through 68 numbering system, and the older Bach-Werke-Verzeichnis (BWV, Bach Works Catalog) scheme which divides the work into 78 numbers. At first sight, the structure of the passion seems a bit curious with two long alto arias, two shorter treble arias and a single aria for tenor and bass. (My God, my God, why have you forsaken me? 44 has two sharps (D major), No. Bach." Other times only one chorus sings (chorus I always takes the parts of the disciples) or they alternate, for example when "some bystanders" say "He's calling for Elijah", and "others" say "Wait to see if Elijah comes to help him. The CyberBass Project is Working Tirelessly to. J.S. The chorale melodies and their texts would have been known to those attending the services in the St Thomas church. 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